Stéphanie Coudert A/W01.02 bags
Stéphanie Coudert A/W99.00: Projet de fin d’étude de l’ENSAD, Septembre 1999
Matt Clark
Our SFMOMA Families team built a [not to scale] model of the Golden Gate Bridge out of “International Orange” colored gumdrops and toothpicks in the style of Bucky Fuller’s geodesic domes. Happy birthday, Golden Gate!
(via Instagram)
The Panton Chair (designed here by Qubus studio) in St. Bartholomew’s Church, Eastern Bohemia
Happy birthday to Franz Kline, the American abstract expressionist who once said, “The final test of a painting, theirs, mine, any other, is: does the painter’s emotions come across?”
Pictured: Kline’s Lehigh V Span (1959-1960)
Just a little bit off the topic here…but I’m struck by the similarity of these works by two different artists in two different mediums. The interesting thing to me is that both artists developed this idea into series of water images.
Vija Celmins
Untitled (Big Sea #1), 1969
Graphite on acrylic ground on paper
34 1/8 x 45 1/4 inches
Roni Horn
Still Water (The River Thames, for Example), 1999
Photographic Print
Bae Sehwa (Korea)
Gabriel Orozco (Mexico, b. 1962)
Sala de espera / Waiting Room, 1998
C-print, 16 x 20 in.
Gary and Tracy Mezzatesta Collection, Los Angeles